CINÉMA,SÉRIES : REPRÉSENTATIONS/ sexualités, stéréotypes, diversité,...

Par Sophie, 28 novembre, 2025
Mots pour la recherche libre
Corps, violences, sexualités, relations affectives,violences, lgbt, masculinités
Méthode
<p>&nbsp;</p>

<h6><span style="color:#8e44ad;"><strong>Introduction</strong></span></h6>

<h6><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Les Français.e.s passent en moyenne 4,6 heures par jour devant un écran pour leurs </span></span></span></span><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">loisirs, tous supports confondus, soit 29 % du temps hors sommeil ; les jeunes&nbsp; entre 12 et 17 ans y consacrent 6h30...</span></span></span></span><br />
<span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Parmi toutes ces images, surtout depuis le développement des plateformes de streaming, des séries, des films : quelles représentations des différentes identités de genre, des relations amoureuses, sexuelles sont données à voir ? Quels types de narrations, de stéréotypes apparaissent ? Comment le consentement est-il représenté, ou non, à l’écran ? Quels sont les comportements amoureux qui sont valorisés ?</span></span></span></span></h6>

<h6><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Ci-dessous quelques pistes de réflexion qui pourront servir de cadre à des discussions, des débats ou des animations avec des enfants, des adolescents.e.s à partir de leurs séries et films favoris. On ne peut évidemment pas dire que les images seules conditionnent nos comportements ; toutefois, on peut s’interroger sur l’impact de codes narratifs équivoques et répétés comme ceux qui normalisent ou valorisent des relations toxiques ou le non-consentement.</span></span></span></span></h6>

<hr />
<h6><span style="color:#8e44ad;"><strong><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">TESTS</span></span></span></span></strong></span></h6>

<ul>
<li style="margin-left:8px">
<h6><span style="font-size:12pt"><span style="tab-stops:list 36.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><strong><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.genrimages.org/recherche/voir-ressource/19686" style="color:#467886; text-decoration:underline"><span style="color:#7030a0">Le test de Bechdel&nbsp;</span></a></span></span></strong></span></span></span></h6>
</li>
</ul>

<h6><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><strong><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">A effectuer sur vos films, séries du moment...</span></span></strong></span></span></h6>

<ul>
<li>
<h6><span style="font-size:12pt"><span style="tab-stops:list 36.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Y a-t-il au moins deux personnages féminins portant des noms&nbsp;?</span></span></span></span></span></h6>
</li>
<li>
<h6><span style="font-size:12pt"><span style="tab-stops:list 36.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Ces deux femmes se parlent-elles&nbsp;?</span></span></span></span></span></h6>
</li>
<li>
<h6><span style="font-size:12pt"><span style="tab-stops:list 36.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Leur conversation porte-t-elle sur un sujet autre qu’un personnage masculin&nbsp;?</span></span></span></span></span></h6>
</li>
</ul>

<h6>&nbsp;</h6>

<ul>
<li style="margin-left:8px">
<h6><span style="font-size:12pt"><span style="tab-stops:list 36.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://representrans.fr/2021/04/13/le-test-de-vito-russo-le-minimum-des-representations-lgbtq/" style="color:#467886; text-decoration:underline"><span style="color:#8e44ad">Le test de Vito Russo&nbsp;</span></a></span></span></b></span></span></span></h6>
</li>
</ul>

<h6><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">À l’instar du test de Bechdel,&nbsp; GLAAD a créé le test de Vito Russo pour évaluer <b>la qualité de la représentation LGBT+ .</b></span></span></span></span></h6>

<h6><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">1. L’identité du personnage doit être claire<br />
<em><span style="font-family:&quot;Aptos&quot;,sans-serif">Le film (ou la série) contient-il/elle un ou plusieurs&nbsp;personnages gay, lesbien, bi, et/ou trans clairement identifié.s ?</span></em><br />
2.&nbsp;Le ou les personnage·s doivent être complexe·s<br />
<em><span style="font-family:&quot;Aptos&quot;,sans-serif">Le personnage est-il défini autrement que par son identité de genre ou son orientation sexuelle ?</span></em><br />
3. Le ou les personnage·s doit avoir un impact<br />
<em><span style="font-family:&quot;Aptos&quot;,sans-serif">Le personnage est-il suffisement impliqué dans l’histoire que si on le retirait, l’histoire n’aurait plus de sens ?</span></em></span></span></span></span></h6>

<h6><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">On peut aussi citer le<strong> </strong><strong><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.instagram.com/yard/p/CbzwZzENhBP/?img_index=1" style="color:#467886; text-decoration:underline"><span style="color:#7030a0">Zohra Test</span></a></span></strong> sur la représentation des femmes maghrébines à l'écran et le <a href="https://www.riztest.com/" style="color:#467886; text-decoration:underline"><strong><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0">Riz Test</span></span></strong></a> qui s'intéresse aux représentations des personnages musulmans.&nbsp;</span></span></span></span></h6>

<p>&nbsp;</p>

<hr />
<p><span style="color:#00b050;"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">RESSOURCES SUR GENRIMAGES</span></span></b></span></span></span></p>

<p align="center" style="text-align:center">&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://genrimages.org/recherche/voir-ressource/62311" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Le consentement dans les films, et les séries, dans la musique :&nbsp;partie 1</span></b></a></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.genrimages.org/recherche/voir-ressource/62309" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Le consentement dans les films, les séries, dans la musique :<br />
partie 2</span></b></a><b><u>&nbsp;</u><span style="color:#7030a0">&nbsp;</span></b></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.genrimages.org/recherche/voir-fiche/61834" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Male Gaze, Regard masculin</span></b></a></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/B8chohvIRuya" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">La prédation sexuelle représentée comme romantique dans des films avec Harrison Ford</span></b></a></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/r1YKxqASNjRp" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Sois belle et tais-toi</span></b></a><span style="color:#7030a0">&nbsp;!</span></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/caPpX5CYlPLO" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Les représentations des personnages queer dans les séries</span></b></a></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.genrimages.org/recherche/voir-ressource/62431" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Coup de foudre ou harcèlement&nbsp;?</span></b></a></span></span></span></span><br />
&nbsp;</p>

<p><br />
<span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.genrimages.org/recherche/voir-ressource/16873" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Dessins animés «&nbsp;pour filles&nbsp;», dessins animés «&nbsp;pour garçons&nbsp;»</span></b></a></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.genrimages.org/recherche/voir-ressource/16874" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Stéréotypes de genre et dessins animés</span></b></a></span></span></span></span></p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.genrimages.org/recherche/voir-ressource/3562" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Sexualité féminine et séries TV&nbsp;: une révolution</span></b></a></span></span></span></span></p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.genrimages.org/recherche/voir-ressource/62495" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Leçon d’éducation sexuelle avec&nbsp; la série «&nbsp;Sex Education&nbsp;»</span></b></a><br />
<span class="MsoHyperlink" style="color:#467886"><span style="text-decoration:underline"><i><span style="color:black">(en anglais)</span></i></span></span></span></span></span></span></p>

<hr />
<p><span style="color:#8e44ad;"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">SUR INTERNET</span></span></b></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#00b050">Vidéos</span></span></span></b></span></span></p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/watch?v=A5EXuAAvMbY" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Désirer la violence, ce(ux) que la pop culture nous apprend à aimer</span></b></a><br />
<br />
Entretien avec Chloé Thibaud par Salomé Saqué, Blast, 2025</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Des femmes plaquées contre un mur, des protagonistes qu’on gifle parce qu’on les aime, des rapports pas vraiment consentis, des hommes sombres, méchants, toxiques, présentés comme sexy, voire de véritable psychopathe glamourisés… Dans les séries, au cinéma ou dans les publicités, après réflexion, ces baisers “volés” sont souvent des baisers forcés, les rapports conflictuels et toxiques sont érotisés au nom de l’intensité, nos imaginaires sont façonnés par une pop culture qui minimise voire nie complètement les violences. Non seulement elles disent rarement leur nom et sont présentées comme anecdotiques, mais souvent elles sont romantisées, comme faisant partie intégrante de toute passion amoureuse qui se respecte. Quel impact cela a-t-il sur notre vie, sur nos fantasmes, sur notre imaginaire amoureux et érotique ? Ces objets culturels ont été analysés dans un livre intitulé <u>Désirer la violence,</u> par la journaliste Chloé Thibaud</span></span></span></span><br />
&nbsp;</p>

<p style="margin-bottom:11px"><span style="font-size:12pt"><span style="line-height:115%"><span style="font-family:&quot;Times New Roman&quot;,serif"><b>&nbsp;</b><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.dailymotion.com/video/x8y2kzc" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Brainwashed, le sexisme au cinéma</span></b></a></span></span></span><b><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0">.</span></span></span></span></b></span></span></span></p>

<p style="margin-bottom:11px"><span style="font-size:12pt"><span style="line-height:115%"><span style="font-family:&quot;Times New Roman&quot;,serif">&nbsp;<span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif">Documentaire de</span></span></span><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif"> Nina Menkes, 2022</span></span></span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Ce film décortique les mécanismes du sexisme systémique ancré dans l'industrie cinématographique, en s'appuyant sur une analyse rigoureuse de plus de 175 extraits de films emblématiques, allant des classiques hollywoodiens aux productions contemporaines. La réalisatrice déconstruit les stéréotypes de genre et les tropes misogynes omniprésents dans le cinéma et met en lumière la manière dont la représentation des femmes à l'écran, souvent cantonnées à des rôles passifs, objectivés ou hypersexualisés, contribue à perpétuer les inégalités et les discriminations sexistes dans la société.</span></span></span></span><br />
&nbsp;</p>

<p><a href="https://www.youtube.com/@machoboulotdodo" rel="noopener noreferrer" target="_blank"><strong><span style="color:#7030a0;">CINEMASCU</span></strong>,</a>&nbsp;une représentation des femmes au cinéma :</p>

<p>&nbsp; &nbsp;&nbsp;<a href="https://www.youtube.com/watch?v=WdiLV-qFfjo" target="_blank">La femme fatale</a></p>

<p>&nbsp; &nbsp;&nbsp;<a href="https://www.youtube.com/watch?v=y7CNmgc3i80" target="_blank">La bimbo</a></p>

<p>&nbsp; &nbsp;&nbsp;<a href="https://www.youtube.com/shorts/Dsh-TcMJriY" target="_blank">La Lolita</a></p>

<p>&nbsp; &nbsp;&nbsp;<a href="https://www.youtube.com/watch?v=jYwJd6Aa14U" rel="noopener noreferrer" target="_blank">La femme robot</a></p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0">Violences à l’écran</span></span></span></b><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">,</span></span></b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"> documentaire en 3 parties sur la chaîne de «&nbsp;bichette praxis&nbsp;»</span></span></span></span></p>

<ul>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/watch?v=I2_JSky1mEY&amp;list=PLwCf1FriHI42II1bQfbsridm_8Md6p37G&amp;index=1" style="color:#467886; text-decoration:underline"><b><span style="color:black">A quoi ça sert&nbsp;?</span></b></a> </span></span></span></span><br />
&nbsp;</li>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/watch?v=xFiMX1yYbPE" style="color:#467886; text-decoration:underline"><b><span style="color:black">Comment faire mieux&nbsp;?</span></b></a></span></span></span></span><br />
&nbsp;</li>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/watch?v=4kjCc98zLUA" style="color:#467886; text-decoration:underline"><b><span style="color:black">Le cœur du sujet</span></b></a></span></span></span></span></li>
</ul>

<p style="margin-left:48px">&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/watch?v=XIP2HxzXmUw&amp;t=2s" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Comment les teen movies filment les adolescentes</span></b></a></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">De Sixteen Candles à Lady Bird, comment les adolescentes sont-elles représentées dans les teen movies ?<br />
Célia Sauvage, co-autrice du livre Les Teen Movies, revient sur plus de cinquante ans d'histoire du cinéma pour parler des films pour adolescent.e.s.</span></span></span></span></p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="tab-stops:list 36.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><strong><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.facebook.com/watch/?ref=saved&amp;v=2003337730144341" style="color:#467886; text-decoration:underline"><span style="color:#7030a0;"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="text-decoration:none">Liaisons dangereuses, relations interdites, désir de soumission… Ce sont les sujets abordés dans le film Babygirl de Halina Reijn. Mais comment la pop culture participe-t-elle à redéfinir notre vision de la sexualité et à nous libérer de certains&nbsp;tabous ?</span></span> "</span></a></span></span></strong></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Réponses avec la journaliste Chloé Thibaud.</span></span></span></span><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">&nbsp;</span></span></span></span><br />
<br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/watch?v=U6dpuZkB1xM" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Sorcières et cinéma</span></b></a></span></span></span></span><br />
<br />
<span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Une observation, sur plusieurs dizaines d'années, du traitement de la figure de la sorcière et de la vision des femmes qui en ressort.</span></span></span></span><br />
&nbsp;</p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span class="MsoHyperlink" style="color:#467886"><span style="text-decoration:underline"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0"><a href="https://www.youtube.com/watch?v=0ZjtbLxqlkM&amp;list=PLUsB9iQxcxK8zDpO1PP4pLTg4X9gBq5mv&amp;index=1" style="color:#467886; text-decoration:underline"><span style="color:#7030a0">Travail du sexe au cinéma - Femmes de Western</span></a></span></span></span></b></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">La travailleuse du sexe est un personnage récurrent de tous les genres cinématographiques, elle symbolise tantôt une sexualité libérée, tantôt une femme vulnérable mais dans la plupart des cas les films sont bien éloignés de la réalité. Dans le western &nbsp;elle est bien souvent juste un élément du décor mais parfois son personnage est plus approfondi. Elle sera mise en opposition avec «l’épouse&nbsp;», un autre personnage féminin cliché.<br />
Dans un genre aussi masculin que le western, comment sont représentées les femmes&nbsp;?</span></span></span></span><br />
<br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/watch?v=4n0gfIhleCE&amp;list=PLUsB9iQxcxK8zDpO1PP4pLTg4X9gBq5mv&amp;index=2" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Travail du sexe au cinéma - Le sauveur possessif</span></b></a></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Il y a un personnage que l’on retrouve souvent dans les films romantiques c’est le «&nbsp;sauveur possessif&nbsp;», un homme qui tombe amoureux d’une prostituée et qui va vouloir la sauver à tout prix au nom de l’amour.<br />
En réalité c’est la jalousie et la possessivité qui parlent et le refus de respecter l’indépendance de cette femme. </span></span></span></span></p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span class="MsoHyperlink" style="color:#467886"><span style="text-decoration:underline"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0"><a href="https://www.youtube.com/watch?v=gZkLhGDO84s&amp;list=PLUsB9iQxcxK9s24B-QqnVBVj5J-fBsM3M&amp;index=2" style="color:#467886; text-decoration:underline"><span style="color:#7030a0">Les mères dans les films d'horreur - Maternité et grossesse</span></a></span></span></span></b></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Comment sont représentées les mères dans les films d’horreur&nbsp;? Et si l’analyse de ces personnages, terrifiants ou protecteurs, nous permettait de voir toutes les attentes sociales envers la maternité, ce qu’elle incarne et ce qu’elle est réellement&nbsp;?</span></span></span></span><br />
&nbsp;</p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://popmodeles.be/" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">POP Modèles. Clichés et culture pop</span></b></a></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Des ressources pour questionner les représentations et les stéréotypes dans la culture médiatique populaire&nbsp;:</span></span></span></span></p>

<p>&nbsp;</p>

<ul>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:black">« </span></span></span></b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="•%09https:/popmodeles.be/le-garcon-arabe-au-cinema-entre-fantasmes-et-menaces-une-masculinite-dans-le-viseur" style="color:#467886; text-decoration:underline"><b><span style="color:black">Le garçon arabe » au cinéma : entre fantasmes et menaces, une masculinité dans le viseur ?</span></b></a></span></span></span></span><br />
&nbsp;</li>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://popmodeles.be/la-femme-le-second-role-des-blockbusters-2/" style="color:#467886; text-decoration:underline"><b><span style="color:black">La femme, le second rôle des blockbusters</span></b></a></span></span></span></span><br />
&nbsp;</li>
<li><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">&nbsp;<a href="https://popmodeles.be/culture-du-viol-7-mythes-relayes-dans-les-films-et-series/" style="color:#467886; text-decoration:underline"><b><span style="color:black">La culture du viol c’est pas de la fiction</span></b></a></span></span></span></span><br />
&nbsp;</li>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://popmodeles.be/les-rapports-de-genre-dans-le-cinema-de-guerre/" style="color:#467886; text-decoration:underline"><b><span style="color:black">Les rapports de genre dans les films de guerre</span></b></a></span></span></span></span><br />
&nbsp;</li>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://popmodeles.be/heroines-de-disney-femmes-sous-influence/" style="color:#467886; text-decoration:underline"><b><span style="color:black">Princesses Disney&nbsp;: femmes sous influence&nbsp;?</span></b></a></span></span></span></span><br />
&nbsp;</li>
</ul>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/@genre_race_classe_au_cinema" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Genre, race et classe au cinéma</span></b></a> (chaîne Youtube)</span></span></span></span></p>

<ul>
<li><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">&nbsp;<span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/yeujCaXwwSr-" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:black">La lumière et les stéréotypes racistes au cinéma</span></b></a></span></span></span></span></li>
<li><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/watch?v=Zx3JIJTQLL8" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:black">&nbsp;Le film de romance queer : baiser aimer souffrir mourir</span></b></a></span></span></span></span></li>
</ul>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><strong><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/watch?v=oIFrMvmv8Lk" style="color:#467886; text-decoration:underline"><span style="color:#7030a0;">Hollywood et les arabes</span></a>, </span></span></strong><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">documentaire, st français</span></span></span></span></p>

<p><br />
"Des bandits bédouins aux jeunes filles soumises, en passant par les cheikhs sinistres et les terroristes armés, ce documentaire jette un éclairage dévastateur sur l'origine de ces portraits stéréotypés et sur leur apparition à des moments clés de l'histoire des États-Unis"</p>

<p>&nbsp;</p>

<p><span style="color:#27ae60;"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><i><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">En anglais</span></span></i></b></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.youtube.com/watch?v=2k82hIqd1Os&amp;t=33s" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">The “Asexual” Asian Man - End the Undesirable Stereotype</span></b></a><br />
<b><i>(</i></b><i>script et sous-titres et anglais)</i></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">À l’inverse de la tendance à fétichiser les femmes asiatiques à travers le trope de la « fleur de lotus », les hommes asiatiques sont systématiquement désexualisés à l’écran. Cela conduit à une perception préjudiciable et répandue dans la société américaine selon laquelle les hommes asiatiques sont moins masculins ou sexuellement désirables.</span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.news.com.au/national/nsw-act/10-times-lack-of-consent-was-normalised-on-film/video/d06955bc85a7cccb7443028abe779202"><strong><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0">10 times lack&nbsp;of consent was normalised in film</span></span></strong></a>&nbsp;</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Le non consentement illustré dans 10 films.</span></span></span></span></p>

<p>&nbsp;</p>

<hr />
<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#00b050">Comptes Instagram</span></span></span></b></span></span></p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.instagram.com/leschroniques.fr/" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Les ChroNiques</span></b></a></span></span></span></span></p>

<ul>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">La diversité dans les films de Noël<br />
<a href="https://www.instagram.com/p/DD9kaHbsJdW/" style="color:#467886; text-decoration:underline">https://www.instagram.com/p/DD9kaHbsJdW/</a></span></span></span></span></li>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">L’amitié fille-garçon dans les films et séries<br />
<a href="https://www.instagram.com/p/DCg-poiMXv8/" style="color:#467886; text-decoration:underline">https://www.instagram.com/p/DCg-poiMXv8/</a></span></span></span></span></li>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">La place des femmes dans les films d’horreur<br />
<a href="https://www.instagram.com/p/DByoy9RCOs3/" style="color:#467886; text-decoration:underline">https://www.instagram.com/p/DByoy9RCOs3/</a></span></span></span></span></li>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">La sexualité des ados dans les séries<br />
<a href="https://www.instagram.com/p/C6l7zbvsLPN/" style="color:#467886; text-decoration:underline">https://www.instagram.com/p/C6l7zbvsLPN/</a></span></span></span></span></li>
<li style="margin-left:8px"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span lang="EN-US" style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Toxic boys</span></span><br />
<span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.instagram.com/p/Cy0wK9Ut_kE/" style="color:#467886; text-decoration:underline">https://www.instagram.com/p/Cy0wK9Ut_kE/</a></span></span></span></span><br />
<br />
<br />
&nbsp;</li>
</ul>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.instagram.com/teens_production_" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Teens’Production</span></b></a></span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Projet de recherche sur les représentations et réceptions des sexualités adolescentes dans les séries TV.<br />
Site&nbsp;: <a href="https://nabcrz.wixsite.com/teensproduction" style="color:#467886; text-decoration:underline">https://nabcrz.wixsite.com/teensproduction</a></span></span></span></span></p>

<hr />
<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#00b050">Frises</span></span></span></b></span></span><br />
&nbsp;</p>

<p style="margin-bottom:11px"><span style="font-size:12pt"><span style="line-height:115%"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/LngWXvg287VS" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Histoire du cinéma LGBTQ</span></b></a></span></span></span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">De&nbsp;<i>Mam’zelle Charlot</i>&nbsp;à&nbsp;<i>Love, Simon,</i>&nbsp;panorama des problématiques, préoccupations et avancées LGBTQI au cours du XXe siècle, envisagées au prisme du cinéma.</span></span><br />
<b></b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Textes : Didier Roth-Bettoni, journaliste, auteur, historien du cinéma LGBTQI, producteur de radio. Supervision :&nbsp;Jean-François Buiré. </span></span><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Réalisation : Ciclic, 2023.</span></span></span></span><br />
&nbsp;</p>

<p>&nbsp;</p>

<p style="margin-bottom:11px"><span style="font-size:12pt"><span style="line-height:115%"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/jlHbok1GS-vB" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Histoire du cinéma au fé</span></b></a></span></span></span><b><u><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0">minin</span></span></span></span></u></b></span></span></span></p>

<p style="margin-bottom:11px"><span style="font-size:12pt"><span style="line-height:115%"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif">Quels furent les apports, les combats et les avancées des femmes au cours de l'histoire du cinéma ?</span></span></span><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif"> Un panorama qui témoigne de l'importance et de la variété des contributions des femmes au cinéma.<b> </b></span></span></span><br />
<span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif">Textes&nbsp;: Brigitte Rollet, enseignante et chercheuse en études filmiques, spécialiste des questions de genre</span></span></span><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif">. Supervision : Jean-François Buiré</span></span></span><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif">. Réalisation : Ciclic, 2019.</span></span></span></span></span></span></p>

<p>&nbsp;</p>

<hr />
<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#00b050">Un outil d'analyse et de débat</span></span></span></b></span></span></p>

<p style="margin-bottom: 11px;"><br />
<span style="font-size:12pt"><span style="line-height:115%"><span style="font-family:&quot;Times New Roman&quot;,serif"><b>&nbsp;</b><span style="font-size:13.0pt"><span style="line-height:115%"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/6hnIkgdgrtUo" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Racisme et Cinéma</span></b></a><br />
<br />
Destiné aux animateurs et animatrices de ciné-débats et de leur public, cet outil d’analyse de films (fiction et documentaire) propose une méthode pour problématiser leur rapport aux enjeux de racisme et d’interculturalité.<br />
Il permet d’identifier des questions pour susciter le débat et la contradiction sous une double perspective d’éducation critique aux médias et d’analyse antiraciste.</span></span></span></span></span></span></p>

<p style="margin-bottom:11px">&nbsp;</p>

<hr />
<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#00b050">Quelques articles</span></span></span></b></span></span></p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.lemonde.fr/idees/article/2025/01/01/de-freaks-a-mon-inseparable-l-histoire-longue-et-complexe-de-la-representation-du-handicap-au-cinema_6476333_3232.html" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">De «&nbsp;Freaks&nbsp;» à «&nbsp;Mon inséparable&nbsp;», l’histoire longue et complexe de la représentation du handicap au cinéma</span></b></a><br />
Jacques Mandelbaum, Le Monde, 2025</span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.slate.fr/story/183537/films-horreur-femmes-feminisme" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Dans les films d'horreur (et grâce à eux), les femmes reprennent le pouvoir</span></b></a><br />
AnaÏs Bordages, 2019</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span class="MsoHyperlink" style="color:#467886"><span style="text-decoration:underline"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0"><a href="http://www.pascalbauchard.fr/wordpress/?page_id=695" style="color:#467886; text-decoration:underline"><span style="color:#7030a0">La représentation de la question raciale dans le cinéma américain</span></a></span></span></span></b></span></span></span></span><br />
<span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Pascal Bauchard</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://journals.openedition.org/miranda/43582" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Visages blancs sur fond blanc&nbsp;: étudier les représentations de la blanchité à l’écran</span></b></a><br />
Jules&nbsp;Sandeau, 2022</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.afilmsouverts.be/L-invisibilite-des-communautes-asiatiques-dans-le-cinema-occidental-quel.html#:~:text=Par%20l'invisibilit%C3%A9%20de%20certaines,des%20films%20historiques%20ou%20bibliques." style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">L’invisibilité des communautés asiatiques dans le cinéma occidental&nbsp;: quel pouvoir a le cinéma sur notre imaginaire&nbsp;?</span></b></a><br />
Axelle Pisuto, 2019</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/OAHNe6eA_Sbc" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Représentation du corps des femmes au cinéma</span></b></a><br />
Mélanie Boissonneau.&nbsp;Ciclic, 2023.</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/pxNjb-W0GGla" style="color:#467886; text-decoration:underline" target="_blank"><b><span style="color:#7030a0">Le grand costaud et la petite chose : représentations des corps masculins et féminins dans le cinéma d’animation contemporain</span></b></a></span></span></span></span><br />
<span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Paul Rigouste, 2029</span></span></span></span><br />
&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://shs.cairn.info/revue-mouvements-2019-3-page-104?lang=fr" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Montrez ce sexe que je ne saurais voir</span></b><b> </b><b><span style="color:#7030a0">: genre et sexualité dans la série&nbsp;<i>Sex Education</i>&nbsp;</span></b></a><br />
Laetitia Biscarrat, 2019</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://manifesto-21.com/queer-gaze-prochaine-revolution-a-lecran/" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Le queer gaze, la prochaine révolution à l’écran&nbsp;?</span></b></a></span></span></span></span><br />
<span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Jonas Fontaine, 2020</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://media-animation.be/Normalisation-ou-mise-en-spectacle-des-LGBTQIA-La-fiction-sur-le-fil.html" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Normalisation ou mise en spectacle des LGBTQIA+&nbsp;? La fiction sur le fil</span></b></a><br />
Brieuc Guffens, 2022</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="tab-stops:list 36.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.erudit.org/fr/revues/tce/2022-n128-tce07638/1095801ar.pdf"><span style="color:#7030a0;">« I can’t control my body, and it does all these things. </span></a></span></span></b><span style="color:#7030a0;"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">» </span></span></span><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">(en français)</span></span></span></span></span><br />
<span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Penser le potentiel de (dé)construction des normes de genre et de représentation du désir au féminin dans les séries pour adolescent·e·s de la télévision en ligne, Stéfany Boisvert, Tangence N° 128, 2022</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.slate.fr/culture/films-adolescents-realite-corporelle-puberte-cinema-hollywood-teen-representation-realisme-etude"><strong><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0">Pourquoi les films pour ados&nbsp;n'évoquent (presque) jamais les réalités corporelles de la</span></span></strong></a>&nbsp;<a href="https://www.slate.fr/culture/films-adolescents-realite-corporelle-puberte-cinema-hollywood-teen-representation-realisme-etude"><strong><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0">puberté&nbsp;</span></span></strong></a><br />
Slate, 2025</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><u><a href="https://doi.org/10.1080/17482798.2025.2507189 (en anglais)" style="color:#467886; text-decoration:underline"><span style="color:#7030a0;"><strong>Brief report: A quantitative content analysis of adolescence depictions in popular coming-of-age movies.&nbsp;</strong></span></a></u>&nbsp;Stewart, K., &amp; Martins, N. (2025).&nbsp;<i><a href="https://doi.org/10.1080/17482798.2025.2507189 (en anglais)" style="color:#467886; text-decoration:underline">J</a>ournal of Children and Media</i>, 1–11 (en anglais)</span></span></span></p>

<hr />
<p><br />
<span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#00b050">Des études</span></span></span></b></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/4LFxY9jOrWHO" style="color:#467886; text-decoration:underline" target="_blank"><span style="color:#7030a0;"><strong><span style="font-family:&quot;Aptos&quot;,sans-serif">La parité et la mixité dans les séries, où en sommes-nous ?</span></strong></span></a><br />
Synthèse des données existantes, avril 2022</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Le Lab, Femmes et Cinéma</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/nWBeB4lUZymO" style="color:#467886; text-decoration:underline" target="_blank"><span style="color:#7030a0;"><strong><span style="font-family:&quot;Aptos&quot;,sans-serif">Le regard cis reflété au cinéma.</span></strong></span></a></span></span><br />
<strong><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:black">L’impact du cis gaze sur la représentation des personnes trans au cinéma et des corps trans à travers les miroirs.</span></span></span></strong><br />
<span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Mémoire de recherche de Charlie Fabre, 2020</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="tab-stops:list 36.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://upopi.ciclic.fr/analyser/le-cinema-la-loupe/handisport-et-cinema" style="color:#467886; text-decoration:underline"><span style="color:#7030a0;"><strong><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="text-decoration:none">Handisport et cinéma</span></span></strong></span></a><span style="color:#7030a0;">,</span><br />
Ciclic, 2025</span></span></span></span></span></p>

<p><span style="font-size:12pt"><span style="tab-stops:list 36.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><strong><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://upopi.ciclic.fr/analyser/le-cinema-la-loupe/quand-le-cinema-s-empare-du-handicap" style="color:#467886; text-decoration:underline"><span style="color:#7030a0;">Quand le cinéma s'empare du handicap</span></a><span style="color:#7030a0;">,</span> </span></span></strong><br />
<span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Ciclic, 2025</span></span></span></span></span></p>

<hr />
<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#00b050">Une lettre d'information</span></span></span></b>&nbsp;<br />
<br />
<span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://c0sgc.r.bh.d.sendibt3.com/mk/cl/f/sh/SMK1E8tUrCniLTc1fojLwD3BJeAo/G36vDZiugNnz" style="color:#467886; text-decoration:underline" target="_blank"><span style="color:#7030a0;"><b><span style="font-family:&quot;Apple Color Emoji&quot;">♀</span> le genre &amp; l’écran </b><b><span style="font-family:&quot;Apple Color Emoji&quot;">♂</span></b></span></a><span style="color:#7030a0;">&nbsp;</span><br />
pour une critique féministe des productions audiovisuelles</span></span></span></span></p>

<p>&nbsp;</p>

<hr />
<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#00b050">A écouter</span></span></span></b></span></span></p>

<p>&nbsp;</p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><a href="https://www.radiofrance.fr/franceculture/podcasts/la-grande-table-d-ete/le-plaisir-feminin-au-cinema-7277846#Echobox=1597756809" style="color:#467886; text-decoration:underline"><b><span style="color:#7030a0">Le plaisir féminin au cinéma</span></b></a><br />
France Culture, 2020</span></span></span></span></p>

<p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span class="MsoHyperlink" style="color:#467886"><span style="text-decoration:underline"><b><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif"><span style="color:#7030a0"><a href="https://podcast.ausha.co/sorocine/episode-4-la-figure-de-la-peste" style="color:#467886; text-decoration:underline"><span style="color:#7030a0">La figure de la peste</span></a></span></span></span></b></span></span><br />
<span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">Sorociné, 2018 </span></span></span></span></p>

<p>&nbsp;</p>

<p>&nbsp;</p>

<p align="center" style="text-align:center"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><b><i><span style="font-size:13.0pt"><span style="font-family:&quot;Aptos&quot;,sans-serif">N’hésitez pas à nous communiquer les ressources avec lesquelles vous travaillez.&nbsp;</span></span></i></b></span></span></p>

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